The Debba
Winner of the 2011 Arthur Ellis Award for Best First Crime Novel\ \ In Middle East lore the Debba is a mythical Arab hyena that can turn into a man who lures Jewish children away from their families to teach them the language of the beasts. To the Arabs he is a heroic national symbol; to the Jews he is a terrorist. To David Starkman, “The Debba” is a controversial play, written by his father the war hero, and performed only once, in Haifa in 1946, causing a massive riot. By 1977, David is...
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In Middle East lore the Debba is a mythical Arab hyena that can turn into a man who lures Jewish children away from their families to teach them the language of the beasts. To the Arabs he is a heroic national symbol; to the Jews he is a terrorist. To David Starkman, “The Debba” is a controversial play, written by his father the war hero, and performed only once, in Haifa in 1946, causing a massive riot. By 1977, David is living in Canada, having renounced his Israeli citizenship and withdrawn from his family, haunted by persistent nightmares about his catastrophic turn as a military assassin for Israel. Upon learning of his father’s gruesome murder, he returns to his homeland for what he hopes will be the final time. Back in Israel, David discovers that his father's will demands he stage the play within forty-five days of his death, and though he is reluctant to comply, the authorities’ evident relief at his refusal convinces him he must persevere. With his father’s legacy on the line, David is forced to reimmerse himself in a life he thought he’d escaped for good.The heart-stopping climax shows that nothing in Israel is as it appears, and not only are the sins of the fathers revisited upon the sons, but so are their virtues—and the latter are more terrible still. Disguised as a breathtaking thriller, Avner Mandelman’s novel reveals Israel’s double soul, its inherent paradoxes, and its taste for both art and violence. The riddle of the Debba—the myth, the play, and the novel— is nothing less than the tangled riddle of Israel itself.Publishers WeeklySharp, biting prose distinguishes this first novel from Israeli author Mandelman (Talking to the Enemy, a story collection). In 1977, David Starkman returns from selfimposed exile in Canada to his native Israel after learning of the murder of his warhero father, Isser, the owner of a shoe shore. The killer stabbed Isser in the heart with one of Isser's own knives, then mutilated his body. Isser's will includes an unusual provision--that within 45 days, a controversial play he'd written, The Debba, whose title refers to "an enigmatic Arab hyena that can walk like a man" and which had only been performed once, three decades earlier, be staged. David, who once belonged to an elite Israeli army unit responsible for carrying out targeted assassinations in "times of non-war," decides to stick around to fulfill his father's request, despite opposition from those who believe the play is subversive. The author deftly blends a murder mystery with a nuanced examination of the intransigent Israeli-Arab conflict. (July)
It was in Toronto in 1977, seven years after I had last seen him, that I learned of my father’s murder. When the phone rang I half expected to hear Aunt Rina’s voice, inviting me to the Passover seder. Instead I heard the line crackle and a faint voice said, “Starkman? David Starkman?”\ In an instant I knew. “Ken?” I croaked in Hebrew—yes.\ “This is Ya’akov Gelber. I am an attorney in Tel Aviv—”\ “My father,” I said.\ “I am afraid so.” \ Perspiration broke out on my chin as Mr. Gelber said without preliminaries that my father had died. “You of course have my most profound sympathies,” he said in Hebrew, “but there are some…urgent matters to discuss, else I would not call you on the holiday.”\ It was only April but the Toronto weather was freakishly hot and my cheap one-room apartment on Spadina Avenue was baking in the heat. My sole white shirt, which I had put on for an evening out with Jenny, was soaking with sweat, as Jenny kept massaging my neck, the back of my head, the veins at my temples. I again had a migraine after last night’s black dreams. It often hit me when evening fell, and so we rarely went out. I had hoped tonight would be better, but it wasn’t. I dabbed at my face with a dish towel and tried to concentrate on Mr. Gelber’s voice, which was explaining in my ear how someone had broken into my father’s shoe store the previous night while he was taking inventory, and following the robbery (an unsuccessful attempt, really, since nothing of value was taken), my father was stabbed in the heart with one of his own knives—the one used for cutting soles. “It was probably an Arab robber,” Mr. Gelber said, his voice neutral, “because the body was also mutilated.”
\ Publishers WeeklySharp, biting prose distinguishes this first novel from Israeli author Mandelman (Talking to the Enemy, a story collection). In 1977, David Starkman returns from selfimposed exile in Canada to his native Israel after learning of the murder of his warhero father, Isser, the owner of a shoe shore. The killer stabbed Isser in the heart with one of Isser's own knives, then mutilated his body. Isser's will includes an unusual provision--that within 45 days, a controversial play he'd written, The Debba, whose title refers to "an enigmatic Arab hyena that can walk like a man" and which had only been performed once, three decades earlier, be staged. David, who once belonged to an elite Israeli army unit responsible for carrying out targeted assassinations in "times of non-war," decides to stick around to fulfill his father's request, despite opposition from those who believe the play is subversive. The author deftly blends a murder mystery with a nuanced examination of the intransigent Israeli-Arab conflict. (July)\ \ \ \ \ Library JournalDavid Starkman, a disaffected Israeli expat, apprehensively returns from Canada in 1977 for the funeral of his father, a hero of the 1948 war who subsequently went back to shoemaking. His father has placed an unusual request in his will. In order to inherit the estate, David must stage a play his father wrote that was performed only once before in 1946. The play—based on Arab folklore about the Debba, a mythical hyena that can turn human and lure Jewish children from their families—caused a near-riot at the time and seems destined to do so again, with forces inside the government determined to stop the production at any cost. Carrying it through, David unearths many secrets regarding his birth and that of his native country.Verdict Mandelman, a veteran of the Six-Day War, has crafted a literary thriller that powerfully confronts uncomfortable paradoxes around the founding of Israel. The issues it raises are as near as the headlines, and the novel seems likely to be as controversial as the play that forms its centerpiece.—Lawrence Rungren, Merrimack Valley Lib. Consortium, North Andover, MA\ \
