Society's Child: My Autobiography
Janis Ian was catapulted into the spotlight in 1966 at age fifteen, when her soul-wrenching song about an interracial relationship, “Society’s Child,” became a hit. The song climbed the charts despite the fact that many radio stations across the country refused to play it because of its controversial subject matter. But this was only the beginning of a long and illustrious career. Society’s Child is Ian’s fascinating personal account of her more than forty years in the music business.\ In...
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Janis Ian was catapulted into the spotlight in 1966 at the age of fifteen, when her soul-wrenching song "Society's Child" became a hit. An intimate portrait of an interracial relationship, "Society's Child" climbed the charts despite the fact that many radio stations across the country refused to play it because of its controversial subject matter. But this was only the beginning of a long and illustrious career. In this fascinating memoir of her more than forty years in the music business, Ian chronicles how she did drugs with Jimi Hendrix, went shopping for Grammy clothes with Janis Joplin, and sang with Mel Tormé-all the while never ceasing to create unforgettable music.In 1975, Ian's legendary "At Seventeen" earned two Grammy awards and five nominations. Her next two albums brought her worldwide platinum hits. But after seven albums in as many years, she made a conscious decision to walk away from the often grueling music business. During this period, she struggled through a difficult marriage that ended with her then husband's attempt to destroy her, and a sudden illness that very nearly cost her her life. The hiatus from music lasted for close to a decade until, in 1993, Ian returned with the release of the Grammy-nominated Breaking Silence. Now, as she moves gracefully into her fifth decade as a recording artist and writer, Ian continues to draw large audiences around the globe.In Society's Child, Janis Ian provides a relentlessly honest account of the successes and failures-and the hopes and dreams-of an extraordinary life. Publishers Weekly "I was born into the crack that split America," Ian writes, and her early immersion in the folk music scene of the 1960s helped shape her prodigious songwriting talents while she was still in her teens. The autobiography shares a title with her first hit, a song about a doomed interracial romance that was considered too controversial for many record labels and radio stations. The pressures of the music industry and her troubled family life drove Ian to a nervous breakdown at the age of 19. It was in the following long period of recovery that she wrote her most famous song, "At Seventeen." ("I'd never sing it in public," she says of her initial feelings about the song. "It was just too humiliating.") Soon after reaching that recording peak, her life was derailed by a series of troubles ranging from an abusive marriage (to a man she first met because she was in love with his girlfriend) to massive tax liabilities to bouts with septicemia and chronic fatigue syndrome. The roller-coaster ride may be typical stuff for celebrity autobiography, but fans will appreciate the candor with which Ian discusses these hardships and her gradual path to happiness as an independent singer-songwriter in Nashville. (July)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
IntroductionPrologue1 Hair of Spun Gold 12 God & the FBI 203 Silly Habits 364 Society's Child 525 Haven's I Got Eyes 826 Jesse 1087 Stars 1188 This Train Still Runs 1419 At Seventeen 15910 Love Is Blind 17311 Fly Too High 18912 Arms Around My Life 20313 His Hands 22414 When Angels Cry 23615 My Tennessee Hills 24916 Stolen Fire 26317 Days Like These 28318 Through the Years 30519 I Hear You Sing Again 31820 Joy 333"My Autobiography" 347Index 351
\ Publishers Weekly"I was born into the crack that split America," Ian writes, and her early immersion in the folk music scene of the 1960s helped shape her prodigious songwriting talents while she was still in her teens. The autobiography shares a title with her first hit, a song about a doomed interracial romance that was considered too controversial for many record labels and radio stations. The pressures of the music industry and her troubled family life drove Ian to a nervous breakdown at the age of 19. It was in the following long period of recovery that she wrote her most famous song, "At Seventeen." ("I'd never sing it in public," she says of her initial feelings about the song. "It was just too humiliating.") Soon after reaching that recording peak, her life was derailed by a series of troubles ranging from an abusive marriage (to a man she first met because she was in love with his girlfriend) to massive tax liabilities to bouts with septicemia and chronic fatigue syndrome. The roller-coaster ride may be typical stuff for celebrity autobiography, but fans will appreciate the candor with which Ian discusses these hardships and her gradual path to happiness as an independent singer-songwriter in Nashville. (July)\ Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.\ \ \ \ \ Kirkus ReviewsThe sad life and hard times of the queen of mopey folk. Fifteen-year-old Ian became a cause celebre in the 1960s as the composer and performer of "Society's Child," a folk-pop song that daringly addressed an interracial romance between teenagers. In calm, lucid prose, she charts the bumpy path of her life and career since then as an embattled lesbian singer-songwriter with, apparently, worse luck than the Chicago Cubs. Precociously intelligent, Ian felt alienated from her peers, and this early unhappiness seems to have colored many of her subsequent experiences. As she struggled to advance her career in an often cruel and superficial industry, she was repeatedly cheated and mismanaged, never quite breaking through to superstardom despite such hits as the 1975 wallflower anthem "At Seventeen." In her account, the author sees herself as a perpetual victim: molested by the family dentist as a child, drugged by a stranger on the streets of New York, sexually manipulated by her therapist and various girlfriends, cheated by business managers, persecuted by the IRS, beaten and threatened with death by a psychotic husband. Serious health problems also repeatedly sidelined Ian, including an incapacitating bout of chronic fatigue syndrome. All of which would suggest she is an epic downer to hang out with. As a narrator, though, she proves excellent company, providing fascinating insights into the craft of songwriting and amusing anecdotes about carousing with the likes of Jimi Hendrix and Janis Joplin. The personal material is equally gripping, in a soap-operatic way, rife with betrayals, sexual intrigue, danger and madness. As evidenced by many of her lyrics (and second career writingscience-fiction stories), Ian is a natural prose stylist with a real knack for pacing and the telling detail. What might have been a dreary catalog of woe is instead a juicily entertaining look at an unusual life in show business. Downbeat yet oddly rollicking and compulsively readable.\ \
