Queering Medieval Genres
Winner of the University of Central Florida College of Arts and Humanities Distinguished Researcher Award!!! Queering Medieval Genres proposes that, within the historical trajectory of many genres, certain agents are privileged while others are marginalized due to their understanding of heteronormative social codes. Examining the ways in which homosexuality disrupts generic and cultural expectations of heteronormativity, this book demonstrates that the introduction of the queer within...
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Queering Medieval Genres unites queer theory with genre criticism to explore the contradictory space of homosexuality within medieval literature. Through the deployment of queer genre theory, the analysis outlines an exciting new hermeneutic tool while displaying its utility in trenchant readings of key texts of medieval literature.
1Introduction : queering medieval genres12Queering the lyric : personae, same-sex desire, and salvation in the poetry of Marbod of Rennes, Baudri of Bourgueil, and Hildebert of Lavardin213Chaucer's queering fabliaux454Queering tragedy : queer desires and queering genres in Chaucer's Troilus and Criseyde815Queering Arthurian romance : genres, godgames, and sadomasochism in Sir Gawain and the Green Knight1076Conclusion : queering genres, medieval ideology, and today's readers151
\ From the Publisher\ "Tison Pugh's Queering Medieval Genres offers an exciting examination of how the discourses of same sex relations disrupt and sometimes even subvert constructions of medieval heteronormativity. Pugh follows in the footsteps of such distinguished critics as Carolyn Dinshaw, Allen Frantzen, and Karma Lochrie in arguing the necessity of engaging medieval texts with queer theory, the necessity of engaging the institution of medieval studies with queer theory. His book provides a fascinating and important queer revision of the way we read medieval culture."--Martin B. Shichtman, Eastern Michigan University\ "Queering Medieval Genres offers an extraordinarily lucid introduction to queer theory, one that will be useful both to those new to this branch of cultural studies and to those in the know. The connections between queer theory and genre theory are compelling, and Tison Pugh’s new readings of canonical medieval texts are insightful and provocative."--Laurie Finke, Professor of Women's and Gender Studies, Kenyon College\ \ \ \
