Mutability and Division on Shakespeare's Stage
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Ko (English, Wellesley College) reaffirms the centrality of conflict in Shakespeare's plays, particularly conflicts that arise as the characters deal with the condition of life that is perhaps the most recurring preoccupation of the plays: its finitude. He explores how the struggle with mortality leads to conflicts that characters experience as radically divided and opposed desires, selves, and even political visions. Distributed in the US by Associated University Presses. Annotation ©2004 Book News, Inc., Portland, OR
1The comic close of Twelfth night and Viola's Noli me tangere : an excursus on mutability and desire482Rosalind-as-Ganymede : Charactor of contingency773Play and the absolute sublime : the worlds of Antony and Cleopatra924The rejection of love and the staging of necessity1145The mousetrap of Hamlet's mystery1376Art and paternity in The winter's tale and The tempest : or, how many children had the Duke of Milan?162
