Kingship, Conquest, and Patria: Literary and Cultural Identities in Medieval French and Welsh Arthurian Romance
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Distinctly interdisciplinary, Kingship, Conquest, and Patria brings together French and Welsh studies with literary and historical analysis, genre study with questions of medieval colonialisms and national writing. It treats eight centuries' worth of insular and continental literature, placing the 12th- and 13th-century development of Arthurian romance in a history of fraught, ambiguous relations between Capetian France, Angevin England, and native Wales. Overall, the book aims to contextualize how French Arthurian romance and Welsh rhamant, despite being products of opposing cultures in an age of conquest, collectively revise the figure of King Arthur created by earlier insular tradition. At a time when contemporary monarchies sought to curtail the autonomy of both northern French and Welsh principalities, the literary image of kingship pointedly declines in romance and rhamant, replaced by an ideal of knightly independence. A focus on the romance portrait of King Arthur is the culmination of this study: Part I provides a survey of early British Arthurian material written in Latin and Welsh; Part II presents the historical contexts in northern France and Wales out of which the genre of Arthurian romance emerged; Part III turns to literary and sociopolitical analyses of Chrétien's five romances and the three Welsh rhamantau.
Pt. IArthurian tradition before Chretien de troyes9Ch. 1Pre-Galfridian Latin and vernacular Arthurian narrative11Ch. 2Geoffrey of Monmouth and the politicization of King Arthur43Pt. IIConquest and national cultural production67Ch. 3Politics and patronage in Northern France71Ch. 4Politics and patronage in Wales83Pt. IIIThe new King Arthur of French and Welsh romance93Ch. 5Progressive royal decline in Arthurian romance97Ch. 6Transcultural change : minor and becoming-minor literature143
