In Hall of Mirrors, Graham Bader traces the development of Roy Lichtenstein's art into, through, and beyond his classic pop oeuvre of the 1960s. Bader charts the trajectory of Lichtenstein's practice from his student days in the late 1940s to his mirror paintings of the 1970s, offering new readings of such canonical paintings as Look Mickey and Girl with Ball as well as examinations of lesser-known works across a range of media. Bader's analysis goes beyond the standard critical view of pop...
A sustained study of Lichtenstein's pop oeuvre, offering new readings of such canonical works as Look Mickey and Girl with Ball.